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Review of CROSSING THE LINES


At first, it looks as if Nikki Rose has written a book that is more thriller than romance. Her free-flowing narrative alternates between points of views, sometimes tense and partly logical, and at other times naive and immensely erotic. Her book touches upon an issue that has been close to my heart: trafficking of humans. Witnessing something horrible and then living one’s life in the prison of a witness protection program is even “more horrible”. A young woman restarts her life in a new city and her life goes haywire. She finds it difficult to convey the magnitude of her uncertainties to strangers. And then a hunky male finds himself watching her across the road from his apartment. Helplessly drawn in by her attractiveness, he goes on doing what he should NOT, and things take unpredictable turns. The novel's twists come, fast and screeching.



[ I sipped the tea which seemed to calm me. In fact, it was relaxing me a little too much. My body felt too heavy and I leaned back in my seat.
“You okay?”
“Yeah, I just... What kind of tea was that?”
“Oh, this? An herbal blend. Do you like it?”

I stood and the room spun, the floor jerking out from under my feet.]

This book has Sir Arthur Conan Doyle’s Sherlock Holmes type dialogues and action. Will the protagonist become a victim or a victimizer? We don’t know yetthat’s Nikki Rose’s prose style.
As we begin to learn about the character through the prose, we understand what an identity crisis really is and how one should behave during a witness protection period. This novel is halfway done before its first reveal, but it’s worth the wait. Towards the end, plenty of revelations ensue, and as they pile up, screams, police sirens, fire engines and more, nearly destroy the character’s possibility of a happy future. Not everything makes a lot of sense, but the storyline and its characters, along with the author’s timely inclusion of shocks and surprises, make CROSSING THE LINE an exciting read.

Sidd Burth
Author of THE POISON EARRINGS
30 August, 2018

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